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Producers: John Hodges, Tony Hernandez, Brooke Posch, Joel Kim Booster Take a trip to our very own Pines (the Deep Cut Discord server) to talk more Fire Island! Keep up with Deep Cut on Instagram, Twitter, Facebook, and Letterboxd. Island Socials Instagram, Twitter, Facebook. There's your perfect Pride month double bill.Īndrew Ahn's Instagram, Twitter. SPOILERS incoming, so watch the film before taking a listen.Īlso, Andrew selects a FIRE ISLAND adjacent Deep Cut pick, Alice Wu’s brilliant SAVING FACE, another wonderful queer AsAm romantic comedy to chat about alongside his film.
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Andrew shares with us his experience directing a studio rom-com, fighting to keep the film’s gayness, collaborating with Joel Kim Booster (STAR and screenwriter), and MUNA’s cover of an iconic Britney song. Stock up on some rosé and lose the shirt because we're going to FIRE ISLAND, baby! We are so delighted and honored to have director Andrew Ahn (SPA NIGHT, DRIVEWAYS) back on the podcast to preview his upcoming feature FIRE ISLAND. Visual Effects: Matthias Weber, Stéphane Bidault, Mathieu Jussreandot Writers: Abderrahmane Sissako, Kessen Tall Producers: Sylvie Pialat, Frédérique Dumas-Zajdela, Étienne Comar Keep up with Deep Cut on Instagram, Twitter, Facebook, and Letterboxd. Help shepherd the cattle in our Discord server. Sissako is the first filmmaker born in Africa covered on the podcast, but tune in to find out why both Sissako and the DC Trio reject the notion of a singular “African Film” culture. Wilson contextualizes Sissako’s most well-known work within Sissako’s varied and inventive filmography, Ben considers the humanizing characterization of the film’s jihadist characters, and Eli breaks down one of his favorite shots in cinema history. Producers: Danny Glover, Denis Freyd, Abderrahmane Sissako, Joslyn Barnes, Arnaud Louvet, Maji-da Abdi, François SauvagnarguesĮditors: Nadia ben Rachid, Pauline Casalisĭeep Cut begins a special three-episode run on Malian/Mauritanian director Abderrahmane Sissako with his poetic, vibrant tragedy Timbuktu (2014).
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Tell it to the judge in our Discourt server. Meanwhile, Ben asks if a fiction narrative is the most cogent mode for Sissako’s argument.
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In a work that inextricably binds the political and the personal, Wilson notes how Sissako creates a sense of place that makes an intellectual argument emotional and Eli suggests that the movie can be viewed as a testimonial. Rajsekhar Aningi: Bhalladeva Samantha RajuĪbderrahmane Sissako sets his late father’s backyard as a courtroom for the injustices of economic neocolonialism in his 2006 drama Bamako, our second of three forays into the work of the Malian/Mauritanian master director. Prabhas: Shivudu / Amarendra Baahubali / Mahendra Baahubali GoswamiĬostumes: Rama Rajamouli, Prashanti Tipirneni Producers: Prasad Devineni, Shobu Yarlagadda, Iliya Sotirov, K Raghavendra Rao Ultimately, Thanmye hopes for a new path forward in cinephilia that fully respects the depth and goals of Indian popular cinema.įight alongside your best friends in our Discord server. In their epic conversation, Thanmye shares his deep connection to the movies of Rajamouli, Wilson breaks down what makes the action so spectacular, Ben notes the benefits of non-photorealistic CGI, and Eli explains how Rajamouli writes truly smart characters. There’s no better a popular pick than the renowned historical fantasy duology, Baahubali: The Beginning and Baahubali: The Conclusion, based on the Sanskrit epic poem Mahabharata. Rajamouli (of this year’s international hit, RRR). Long live Deep Cut! The DC Trio welcomes back distinguished guest and friend Thanmye Lagudu to launch a discussion on the legendary Masala blockbuster director S. Producers: Daggubati Suresh Babu Sai Korrapati
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Keep up with Deep Cut on Instagram, Twitter, Facebook, and Letterboxd.įollow Thanmye on Twitter and Letterboxd. Ben assumes the villain mantle and questions if the film successfully blends violence, comedy and revenge: does it go too far or is Ben just bugging out? How does the king of beeg cinema go small? Trick question, he don’t! Small in scope but still big on imagination, we’re (mostly) abuzz with praise for Wilson’s Deep Cut pick for Rajamouli, 2012’s Eega.Įli praises the positively fly performance of Sudeep, a villain you love to hate, Thanmye highlights Rajamouli’s overlooked talents as a director of comedy, and Wilson celebrates Rajamouli's maximalist imagination as well as his mastery of telling stories regarding fate/destiny.